JJTD PIXELATOR 8000

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PROGRAMS

CANVAS & PIXEL MAP

PROGRAM PATHS

Editing multiple paths

Check paths to edit them together. Changed values apply exactly to every checked path and its linked clips.

0 selected

Sections

Auto Path · trace pixels

Trace order Pixels Maximum gap (px)

Gaps larger than this start a separate path. Straight runs are simplified to endpoints, with extra points only where needed at bends. Tolerance is 10% of the new path’s width, keeping traced pixels inside its boundary. Nearest tracing is an estimate: crossings and dense grids may need manual correction. Pixels are never moved.

GROUPS

01 · MATRIX / Skinny → Wide200

02 · STARDUST / Random sparkle200

03 · ORBIT / RGB comet200

04 · FERN / Colour swing200

ACTIVE PROJECT1920 × 1080 · 9 paths

048096014401920

02705408101080

100% ZOOM800 PIXELS0 LOCKED4 PATHS0.00s

162 / 800 pixels lit

LIVE OUTPUT

OUTPUT LIVE BITMAP

CLIENT APPROVAL PREVIEW

Show visible image layers in output

Reference image opacity60%

The live monitor and output window can composite every visible image layer beneath the pixels. Final exports are always forced clean; use the clearly labelled Approval export buttons when the client reference should be embedded.

OUTPUT FORMAT

ModeResolution

FPSDuration10s

VISUALISATION

StyleShapePixel diameter10pxBlur / feather16px

AUDIO TRIGGER MARKERS

Beep on pixel trigger

Base frequency880HzMarker length0.04sGain18%Pitch spacing12Hz

Every rising pixel trigger generates a short tone. The audio track is embedded in browser video exports.

OFFLINE EXPORT

FINAL · MEDIA SERVERREFERENCE FORCED OFF

CLIENT APPROVALVISIBLE IMAGES EMBEDDED

Final files always contain only the pixel-map output. Approval files composite the currently visible image layers using their crop, position, rotation, layer opacity and the approval opacity above.

SINGLE PATH EDIT

Copy source: 01 · MATRIX / Skinny → Wide. Select another path or check multiple paths to paste.

EDIT PATH SHAPE

Drag numbered handles to reshape this path. Drop a handle onto its neighbour to remove it. Double-click a line between handles to insert a point. To extend, click or draw outward from the chosen end, then Finish Path.

Control point

X (px) Y (px)

Shape edits affect this path only, including timeline clips sharing it.

INSPECTOR PATH

PATH OBJECT

Path output enabled

RGB A

PATH BEHAVIOUR

Timing controlSpeed · canvas px/sec

Path length: 806 px · clip: 8.00 s · authored cycle: 8.00 s. Speed uses authored path length; Magnet still steps between pixels. Editing Duration returns to duration timing. Speed mode ignores timeline stretching; use Duration mode to stretch playback.

AnimationBlendDuration8.0s

Width12px

Side edge

Brightness100%

Opacity100%

Side feather0%

Duration follows the selected timeline clip as you drag its edges. Trim keeps the authored speed; Stretch changes playback timing. Choosing an animation applies its production preset to the visible controls. Wipe preserves your current Width and Magnet state.

PATH EFFECTS

EffectRate1.0HzDepth100%

Pulse, Flicker and Sparkle modulate the current path colour. Latest + fallback reveals lower paths whenever the current effect switches off.

PIXEL MAGNET

Snap motion to pixels

Uses only pixels inside the visible path boundary. Every accepted pixel is treated as directly on the centre line, so it receives full path brightness without side falloff. Fade In becomes an ordered gradient across the upcoming magnet steps. Pixels never move, and separate crossings may retrigger the same pixel.

LEADING EDGE

Fade In

Fade time1.0s

Fade distance12%

Curve

Fade time and distance add together to extend the gradient ahead of the moving head. Increasing either spreads the rise across more pixels. Linear gives an even black-to-white ramp; easing concentrates more of the change near an edge.

PERSISTENCE / TAIL

ModeHold · seconds

Slider: 0–300 seconds. Type a longer duration when needed.

Fade out1.2sResidual0%

TAIL GRADIENT

Fade-out curve

Hold is the flat, full-brightness section. Fade Out is the graded section behind it. For a continuous comet gradient, use Hold = 0, Residual = 0 and Linear. Increase Fade Out to spread the dimming over a longer tail.

PIXEL GROUP FILTER

AffectExclude

PATH OPTIONS

Closed path

Repeat inside clip

Repeat Inside Clip cycles this path every authored Duration while its timeline clip continues. It is separate from transport Loop. Absolute mode calculates the exact cycle at the current playhead; Persistent mode can carry unfinished tails between cycles.

Diamonds add a keyframe at the playhead. 2 keyframes stored.

Editor ready